#WHEN TWO WORLDS COLLIDE TV#
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.The metaphor of being “between two worlds” is commonly employed to describe the experiences of immigrants as they navigate the cultures of their native country and host country. Get the latest Box Office news! Sign up for our Box Office newsletter here. “When Two Worlds Collide” is now playing in theaters. Still, the hesitancy of the film’s final act does a perversely effective job of reinforcing its central tragedy - when worlds collide, it’s always the same two: The one we’re given, and the one we leave behind. The allegiance that Brandenburg and Orzel reserve for Pizango and his fellow protestors is more than understandable, but it makes it difficult for them to convincingly muddy the waters when the Shawi leader is forced to answer for his role in the violence. Listless at times and lacking the killer instinct required to follow through on the emotional toll that the fighting took on its survivors, the documentary is far more insightful about the buildup to bloodshed than it is about the mess that was left behind in its wake. Most striking of all are the snippets recorded just before the Bagua episode, in which high-ranking members of the Peruvian military are seen chatting civilly with members of Pizango’s coalition and expressing sympathy for their cause.
READ MORE: 5 Must-See Films From Hot Docs 2016Īnd it’s this focus on process that makes the film so rich and rewarding, as Brandenburg and Orzel sift through an unimaginable stockpile of footage to find the moments that show how bad policies can turn decent people against one another.
Through the specificity of their footage (and the outsized personalities of their subjects and talking heads), Brandenburg and Orzel use an event that was largely ignored by the American press to chart the basic dangers of a country strip-mining its own soul. The film, which begins in a mode of austere ethnography before thawing into a story that’s told with the page-turning velocity of an airport paperback, ultimately becomes so compelling because García’s greed is such a generic threat. In fact, García is such a duplicitously cartoonish piece of shit that he quickly allows “When Two Worlds Collide” to grow beyond the limits of its context and achieve a universal urgency. “For us, our land can never be sold,” Pizango insists, expressing an unyielding determination that is immediately clear to everyone except the Chris Christie lookalike who decides to ignore the UN regulations that protect Tribal Peoples and the ground on which they live. Representing the indigenous Shawi people is Alberto Pizango, a steely-eyed activist whose father endowed him with the understanding that the Earth is borrowed by its inhabitants. Martin Scorsese's Favorite Movies: 50 Films the Director Wants You to See
#WHEN TWO WORLDS COLLIDE PLUS#
New Movies: Release Calendar for October 14, Plus Where to Watch the Latest Filmsįrom 'Reality Bites' to 'Fatal Attraction,' Keep Track of All the Upcoming Film-to-TV Adaptations 'Piggy' Review: Carlota Pereda's Searing Feminist Horror Turns Body Shame to Bloody Games Dedicated to “the victims of Bagua” but rather unambiguous as to which side it feels has the most blood on its hands (history tends to be biased against regimes that exploit their citizenry), the film chronicles the story from both micro and macro perspectives, cutting from the native communities affected by the North Peru Pipeline to the congressional meetings where their fate is determined. All of this - and much more - is captured in Heidi Brandenburg and Matthew Orzel’s “When Two Worlds Collide,” a strikingly present documentary debut that traces how the friction between a government and its people can metastasize into a dangerous state of insurgency.
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